瓷器的英語
A. 瓷器英文發音
瓷器英文，
porcelain， /ˈpɔːsəlɪn/ 。
Porcelain或者說 china
例句：
拿出你最好的瓷器和水晶玻璃器皿。
Get out your best china and crystal.
C. 瓷器英語怎麼說
中國的驕傲，小寫的中國china
D. 為什麼瓷器的英文是China
陶瓷是陶器和瓷器的總稱。人類自從會使用火以來，知道泥土燒過後會變硬且能保持一定形狀。考古證明，中國在八九千年前就會製造陶器。最初人們把塗有粘土的籃子進行火燒，形成不易透水的容器，用來煮東西吃，以後開始用粘土製成各種形狀的器具，如盛水的壺、缸、盂；煮食的鼎、釜、罐；儲存東西的瓮、壇、尊；洗滌用的盆之類，統稱為陶器。我國出土的新石器時代的許多陶器，證明我國是世界上會製造陶器最早的國家之一。
在燒制陶器的過程中，有時發現捏好的陶器坯料在高溫下燒結時，其中容易熔化的部分會化成玻璃狀的粘液把坯料中的小空穴堵死，燒成後不會再吸收水分，輕輕敲打能發出清脆的聲音，這就是最早的瓷器。但在燒瓷器時，如果溫度掌握不好，稍稍過一點，瓷器會變形或燒裂。所以燒瓷器在當時是一項很難的技術。中國早在商代就會燒制瓷器。盡管中國的瓷器後來傳到西方，但沒有一個國家會仿製。「洋人」看到瓷器後非常驚奇，甚至流傳這樣一種說法：「中國人把石膏、雞蛋清和貝殼粉混在一起，然後在地下埋80～100年，就變出了瓷器。」把瓷器說得十分神奇。
由於只有中國才會製作瓷器，外國人把它稱為「中國器具」，至今，西方仍把瓷器叫作「china」。「china」在英文中就是「中國」的意思。由於中國的瓷器質量優良，曾遠銷世界各國，70年代未，在韓國木浦灣發現了一艘幾百年前的沉船，沉船中就有大量中國元朝時期的古瓷。
E. 為什麼瓷器的英文是china
china的意思是「瓷器」,指瓷器、瓷盤、瓷碗的總稱或瓷料。a piece of china表示「一件瓷器」, a set of china表示「一套瓷器」。
詞彙分析
音標：英 [ˈtʃaɪnə] 美 [ˈtʃaɪnə]
釋義：瓷器;瓷餐具;杯、盤、碟等的總稱;陶器；
拓展資料
1、China's instry is developing at an unprecedented rate.
中國工業正以空前的速度發展。
2、We set sail from China for Japan.
我們從中國啟航駛往日本。
3、The people of New China all have a say in the affairs of their state.
新中國的人民對國家大事都有發言權。
4、Mr Li said China's reforms had brought vitality to its economy.
李先生說中國的改革給其經濟注入了活力。
5、China borders on India in the southwest.
中國的西南與印度相鄰。
F. 瓷器的英文名單詞是什麼
china 瓷器是由瓷石、高嶺土、石英石、莫來石等燒制而成，外表施有玻璃質釉或彩繪的專物器。瓷屬器的成形要通過在窯內經過高溫（約1280℃-1400℃）燒制，瓷器表面的釉色會因為溫度的不同從而發生各種化學變化，是中華文明展示的瑰寶。 中國是瓷器的故鄉，瓷器是古代勞動人民的一個重要的創造。謝肇_在《五雜俎》記載：「今俗語窯器謂之磁器者，蓋磁州窯最多，故相延名之，如銀稱米提，墨稱腴糜之類也。」當時出現的以「磁器」代窯器是由磁州窯產量最多所致。這是迄今發現最早使用瓷器稱謂的史料。
G. 誰知道關於中國瓷器的英語介紹
CHina's china
Second only to tea, perhaps the most important contribution China made to European life was "china" itself ?the hard translucent glazed pottery the Chinese had invented under the Tang dynasty and which we also know as porcelain. China had long since exported porcelain over the Silk Route to Persia and Turkey and fine examples of pre-1500 china are still in everyday use there. (An English diplomat collected almost five tons (!) of Ming pieces while serving in Iran in 1875.) In Europe before the dawn of the China trade, the highest achievement of the potter's art was a kind of earthenware which was fired, then coated with an opaque glaze and fired again, fixing the colors with which it had been painted. This was generally named for its supposed place of origin and was known as majolica in Italy, faience in France, Delft in the Low Countries, and so forth. No earthenware could stand up to boiling water without dissolving and nowhere in Europe was it understood how to heat a kiln to the fourteen hundred degrees or so required to vitrify clay and make it impervious to liquids, boiling or not. Even so wise a man as Sir Francis Bacon could only view porcelain as a kind of plaster which, after a long lapse of time buried in the earth, "congealed and glazed itself into that fine substance." Other writers speculated it was made from lobster shell or eggs pounded into st.
Porcelain in time became the only Chinese import to rival tea in popularity. The wealthy collected it on a grand scale and even middle class people became so carried away that Daniel Defoe could complain of china "on every chimney-piece, to the tops of ceilings, tit it became a grievance." Such abundance half the world away from its place of manufacture was e to its use as ships' ballast. The China trade came to rest on two water-sensitive, high-value commodities: silk and tea. These had to be carried in the middle of the ship to prevent water damage, but to trim the ship and make her sail properly, about half the cargo's weight (not volume) was needed below the waterline in the bilges. Very roughly, a quarter of all tea imported had to be matched by ballast and from the ships' records available, it appears that about a quarter of all ballast was porcelain. Over the course of the 1700s England probably imported twenty-four thousand tons of porcelain while a roughly equal amount would have been imported into Europe and the American colonies.
To keep up with this demand, Jingdezhen, China's main porcelain-making center since the Song dynasty, as early as 1712 needed to keep three thousand kilns fired day and night. The prices fell to ridiculously low levels-seven pounds seven shillings in 1730 for a tea service for 200 people, each piece ornamented with the crest of the ambassador who ordered it; teapots, five thousand of them in 1732, imported at under twopence each. Even if we multiply these prices by one hundred to approximate today's, it is incredibly cheap cost for porcelain of this quality. Before European-made wares came into general use around 1800, the English and European middle classes enjoyed their tea and meals from the finest quality chinaware ever used by any but very wealthy people, a quality of life for which the tea trade was directly responsible.
For years before the advent of tea it had been the dream of all European potters to proce china themselves. Britain's Elers brothers mastered stoneware, but their efforts to reproce china proved unavailing, and so did the efforts of all the other first-rate potters in Europe. The potters of St. Cloud in France developed a substitute now known as soft-paste porcelain, but nobody came near approximating the real thing until an apothecary's apprentice named Johann - Friederich Bottger bumbled onto the scene.
When he was nineteen, Bottger met the mysterious alchemist Lascaris in Berlin and received a present of some two ounces of transmutation powder from him. If you refuse to believe in alchemists and transmutation, you may as well assume that Mr. Lascaris stepped out of a UFO for the stories of his-and Bottger's-careers are entirely too well documented to dismiss. As Lascarls no doubt intended, Bottger's couldn't resist showing off the powder's powers. Unfortunately, he also claimed to have made it himself with the predictable result that he soon had all the crowned heads of Germany in his pursuit. He finally reached safety, so he thought, in Dresden, under the protection of August 11, "the Strong," Elector of Saxony and King of Poland. But with extravagant gifts and riotous living, his stock of powder was exhausted rather sooner than later and his "protector" proved not to be the disinterested well-wisher he had seemed. Poor Bottger found himself confined in the castle of Konigstein where he was given a laboratory for his researches and a clear understanding of the fate reserved for him should he fall.
He finally convinced his jailer, a certain Count Tschirnhaus, that he was not an Adept in the spagyric arts but merely a demonstrator. The count proposed that in that case he should put the laboratory to use in quest of the secret of making china, since next to gold and power, collecting Japanese and Chinese porcelains was Augustus's ruling passion. (He had filled a palace with his collection-some twenty thousand pieces and still growing-by the time of his death.) Fortunately for the prisoner-researcher, Saxony abounds with the two main ingredients for the manufacture of porcelain-china clay or kaolin and the so-called china stone, a type of rock made up mostly of silica and alumina that serves as a flux and gives the ware Its translucency. Bottger first proced stoneware and then, after numerous false starts, finally obtained a hard-paste red porcelain in 1703. The kiln had been kept burning for five days and five nights and in anticipation of success his royal patron had been invited to see it opened. It Is reported that the first proct Bottger took out and presented to Augustus was a fine red teapot. The long-sought secret had been discovered at last and after a few more years Bottger managed to come up with genuine hard-paste white porcelain.
Completely restored to favor, the young man admitted he had never possessed the secret of transmutation; he was formally forgiven and promptly appointed director of Europe's first china factory. It was established near Dresden in a little village called Meissen and proved to be worth almost as much to Augustus as the Philosopher's Stone would have been. Soon after full proction got underway in 1713, the export market for Meissen figurines alone ran into the millions. In a letter of 1746, Horace Walpole grumbled about the new fashion in table decoration at the banquets of the English nobility: "Jellies, biscuits, sugar, plums, and cream have long since given way to harlequins, gondoliers, Turks, Chinese, and shepherdesses of Saxon China." Teapots and teacups were also proced in ever increasing quantities.
Instrial espionage spread the secret of porcelain manufacture beyond the Germanies ring the 1740s, and in 1751 fifteen English entrepreneurs Joined together to found the Worchester Royal Porcelain Works. To the chagrin of every prince and ke in France lavishing patronage on a little porcelain works of his own, the King's beloved Madame De Pompadour decided to bestow hers on a little factory located near Versailles at Sevres. Louis XV bought it to please her in 1759 and, just to make sure it would prosper, ordered the royal chinaware made there. When in need of money the king sometimes forced the courtiers at Versailles to buy quantities of Sevres at extortionate prices.
The English porcelain firms of the eighteenth century kept experimenting with the formulae filched from the Continent and it would be interesting indeed to know how Mr. J. Spode first hit upon the idea of using the ingredient that distinguishes English from all other porcelains-the ashes of burned bones. Yes, Virginia, bone china is rightly so-called. And from the beginning, the mainstay of the proction at Worchester, Chelsea, Spode, Limoges, and all the other centers of china making in Europe was the tea equipage.
H. 陶瓷的英語介紹
"陶瓷"是一種通稱,"陶"和"瓷"在質地上、物理性能上有很大區別。中國是最早製造陶器的國家之一,是最早發明瓷器的國家。
陶器的出現大約在距今1萬年左右,中國進入新石器時代,開始了定居生活,盛水、蓄物等日常生活的需要,促使了陶器的發明。中國陶器的分布比較廣泛,主要集中的在黃河流域和長江流域。其中仰韶文化是新石器時期比較有代表性的文化類型,以彩陶為特點,也稱"彩陶文化",它派生出半坡和廟底溝兩個類型,裝飾圖案有很高的藝術價值。馬家窯文化是新石器晚期的文化類型,比仰韶文化略晚,距今約5000年。黑陶是繼彩陶之後的又一偉大創造發明,距今約4000年的龍山文化時期,出現了工藝獨特的蛋殼陶。近些年來,山東、河北一帶多有仿製,有較高的收藏價值。秦漢時期的陶俑,是我國古代人物雕塑的高峰,使制陶技術和藝術達到了很高的境地。此外,唐代的三彩器、明清兩代的紫砂器等,都是中國陶器文物的重要內容,很值得深入收藏和研究。
陶瓷(Ceramics),陶器和瓷器的總稱。陶瓷的傳統概念是指所有以粘土等無機非金屬礦物為原料的人工工業產品。它包括由粘土或含有粘土的混合物經混煉,成形,煅燒而製成的各種製品。由最粗糙的土器到最精細的精陶和瓷器都屬於它的范圍。對於它的主要原料是取之於自然界的硅酸鹽礦物(如粘土、長石、石英等),因此與玻璃、水泥、搪瓷、耐火材料等工業,同屬於"硅酸鹽工業"(Silicate Instry)的范疇。
陶瓷的發展史是中華文明史的一個重要的組成部分,中國作為四大文明古國之一,為人類社會的進步和發展做出了卓越的貢獻,其中陶瓷的發明和發展更具有獨特的意義,中國歷史上各朝各代不同藝術風格和不同技術特點。英文中的"china"既有中國的意思,又有陶瓷的意思,清楚地表明了中國就是"陶瓷的故鄉"。
早在歐洲人掌握瓷器製造技術一千多年前,中國人就已經製造出很精美的陶瓷器。中國是世界上最早應用陶器的國家之一,而中國瓷器因其極高的實用性和藝術性而備受世人的推崇。
所謂陶器和瓷器是指用可塑性制瓷粘土和瓷石礦做胎體,用長石和石英等原料制釉,並且通過成型、乾燥、燒制而成的製品,主要有日用、藝術、和建築陶器等三種。考古發現已經證明中國人早在新石器時代(約公元前8000)就發明了陶器。原始社會晚期出現的農業生產使中國人的祖先過上了比較固定的生活,客觀上對陶器有了需求。人們為了提高生活的方便,提高生活質量,逐漸通過燒制粘土燒制出了陶器。
隨著近代科學技術的發展,近百年來又出現了許多新的陶瓷品種。它們不再使用或很少使用粘土、長石、石英等傳統陶瓷原料,而是使用其他特殊原料,甚至擴大到非硅酸鹽,非氧化物的范圍,並且出現了許多新的工藝。美國和歐洲一些國家的文獻已將"Ceramic"一詞理解為各種無機非金屬固體材料的通稱。因此陶瓷的含義實際上已遠遠超越過去狹窄的傳統觀念了。
迄今為止,陶瓷器的界說似可概括地作如下描述:陶瓷是用鋁硅酸鹽礦物或某些氧化物等為主要原料,依照人的意圖通過特定的物理化學工藝在高溫下以一定的溫度和氣氛製成的具有一定型式的工藝岩石。表面可施釉或不施釉,若干瓷質還具有不同程度的半透明度,通體是由一種或多種晶體或與無定形膠結物及氣孔或與熟料包裹體等微觀結構組成。
陶瓷工業是硅酸鹽工業的主要分支之一,屬於無機化學工業范圍.但現代科學高度綜合,互相滲透,從整個陶瓷工業製造工藝的內容來分析,它的錯綜復雜與牽涉之廣,顯然不是僅用無機化學的理論所能概括的。
陶瓷製品的品種繁多,它們之間的化學成分.礦物組成,物理性質,以及製造方法,常常互相接近交錯,無明顯的界限,而在應用上卻有很大的區別。因此很難硬性地歸納為幾個系統,詳細的分類法各家說法不一,到現在國際上還沒有一個統一的分類方法。
"Ceramic" is a generic term, "Tao" and "Porcelain" in texture, the physical properties there are very different. China was among the first to create one of the countries of pottery, porcelain was one of the first invention.
The emergence of pottery dating back about 1 million years or so, China has entered the New Stone Age, began to settle in life, water, with objects of daily life, such as the need to promote the invention of pottery. Chinese pottery wider distribution, mainly in the Yangtze River and Yellow River Basin. Yangshao culture which is the New Stone Age culture more representative of the type, characterized by painted pottery, also known as the "painted pottery culture", which derived Banpo and Miao Digou two types of decorative patterns, has high artistic value. Majiayao culture is the culture of the late New Stone Age type than a little late Yangshao culture, since about 5000. Black painted pottery is the second after another great invention, since about 4000 the Longshan Culture period, there has been a unique process of eggshell pottery. In recent years, Shandong, Hebei and more in the vicinity of imitation, there is a high value for collection. Qin and Han Dynasty pottery figurine of China's ancient sculpture of the peak figure, so that the ceramic technology and the arts reached a high position. In addition, three of the color of the Tang Dynasty, the Ming and Qing dynasties such as Yixing, China is an important aspect of pottery relics, it is worthy of collection and research.
Ceramics (Ceramics), the general term for pottery and porcelain. Ceramic refers to the traditional concept of all inorganic non-metallic minerals such as clay as raw material of artificial instrial procts. It consists of clay from or containing a mixture of clay by kneading, molding, and calcined made of a variety of procts. By the most rough-earth to the most refined of the fine pottery and porcelain are it. For its main raw materials are derived from natural silicate minerals (such as clay, feldspar, quartz, etc.), and glass, cement, ceramic, refractory material, such as instry, with an "instrial silicate" (Silicate Instry ) Area.
The history of ceramics is the history of Chinese civilization is an important part of China, as one of the four ancient civilizations, human development and social progress made outstanding contributions, including the invention of ceramics and the development of a more unique significance , The history of China-North Korea on behalf of all the different artistic styles and different technical characteristics. English of "china" China not only mean, ceramics and mean, clearly demonstrates China is the "hometown of pottery."
As early as the Europeans have porcelain manufacturing technology over 1000 years ago, Chinese people have created a very fine ceramics. China is the world's first application of one of the countries pottery, and porcelain from China for its high artistic quality and relevance of the world have attracted much praise.
The so-called pottery and porcelain refers to the use of plastic ware and porcelain clay quarry to do matrix, quartz and feldspar, and other raw materials-glaze, and through the forming, drying, firing from the procts, mainly for daily use, art, and architecture Three pottery. Archaeological discoveries have proved that the Chinese people as early as the Neolithic Age (about 8000 BC) invented pottery. The emergence of primitive society with advanced agricultural proction so that the ancestors of the Chinese people lead a life of a relatively fixed, the objective of pottery with the demand. In order to improve people's lives easier, improve the quality of life, graally burn through the burning out of the clay pottery.
With the development of modern science and technology, and the past 100 years there have been many new varieties of ceramics. They no longer use or the use of small clay, feldspar, quartz and other traditional ceramic materials, but the use of other special materials, and even extended to non-silicate, non-oxide scope, and there have been a lot of new technology. The United States and some European countries have literature "Ceramic" understanding of the term for a variety of solid inorganic non-metallic materials known. Therefore, the meaning of ceramics in fact go far beyond the traditional concept in the past the narrow.
To date, the Definition of ceramics may be generally described as follows: The ceramic is aluminum silicate minerals such as oxides or as the main raw material, in accordance with the intention of people through specific physical and chemical processes at a high temperature to a certain degree of Temperature and atmosphere made of a certain type of rock technology. Glazing may be on the surface or glazing, porcelain has a number of different levels of transparency and a half, the species by one or more of the crystal and amorphous or cement and clinker with pores or inclusions, such as micro-structure.
Portland ceramic instry is one of the main branches of instry, belong to the scope of inorganic chemical instry. However, modern science and highly integrated with each other to infiltrate from the ceramic instry as a whole manufacturing process to analyze the contents of its complex and involve wide, is not only Using the theory of inorganic chemistry can be summarized.
A wide variety of ceramic procts, their chemical composition. Mineral composition, physical properties, as well as manufacturing methods, often close to each other staggered, no boundaries, and in the application there is a huge difference. Therefore, it is difficult to be summed up in a few hard and fast system, a detailed classification of the various different view, the international community to now there is no uniform classification.
I. 為什麼瓷器的英文叫"china
來自知乎
由於在英文中，中國和陶瓷都是同一個詞彙（china），因此，很多人認為「中國」這個詞就是來源於「陶瓷」。這種說法很普遍，幾乎成為不假思索的定論。我搜索了下，現摘錄幾種說法。
1. 現在英文中的「china」一詞，產生很晚。由於英文是從拉丁文演化出來的，因此，英文「china」這個詞源頭應該是「sina」，而非英文自己的創造詞彙。嚴格來說，「支那」這個稱呼早於陶瓷的出現，先有「支那」，後有陶瓷，因此，如果說這兩個詞後來變成同一個詞，那也是「陶瓷」靠向了「支那」，而非「支那」因陶瓷而得名。「支那」這個名字更合適的解釋，應該是來自絲綢。
2. 起源於印度古梵文「支那」。這個支那又作脂那、至那。文僧蘇曼殊(1884-1918)通英、法、日、梵諸文，曾撰有《梵文典》。他認為China起源於古梵文「支那」，初作Cina。他研讀三千年前的古印度史詩《摩訶婆羅多》和《羅摩衍那》，發現支那一詞最早見於這兩部著作，其原義為「智巧」。他認為，這是三千四百年前印度婆羅多王朝時彼邦人士對黃河流域商朝所治國度的美稱。「智巧」與慧苑所說之「思維」內涵略有不同，想系詞義因時代而演變所致。
從時間上來看，景德鎮的陶瓷出現於東漢，秦朝建立於公元前221年。從專家們提供的資料看，「Cina」一詞在印度梵文中的出現的最遲時間也在公元前5世紀，中國茶葉的出口也要晚於這一時期。由此可見，印度梵文中的「Cina」和中國的「茶」、景德鎮的「瓷」及中國秦國的「秦」並無關系。
關於賽里斯國的絲綢在西方的許多文獻中有許多記載，如在《希臘拉丁作家遠東古文獻輯錄》一書中，囊括了從公元前四世紀到公元十四世紀期間九十多部希臘文和拉丁文著作中關於塞里斯國的記述。希臘史學家克特西亞斯（Ctesias）在公元前四世紀就提到的賽里斯國（Serica）。專家們認為，由Serica演化出來英語的錫爾克（silk）、俄語的旭爾克，均來源於中國「絲」字的諧音，是這些國家對絲綢的稱呼。但在印度梵文中記錄中國的名稱是「Cina」，而由此衍生出的英文是 「China」，波斯文是「Chin」，阿拉伯文是「Sina」，拉丁文是「Sinae,」 法文是「Chine」，德文是 「China」，義大利文是「Cina」。俄文的「中國」名稱是根據公元九世紀的遼國「契丹」（KITAN ，kitai）的音譯得來的。很明顯，在許多歷史文獻的記述里，那個生產絲綢和販賣絲綢的賽里斯國（Serica）和古印度梵文中的「Cina」，代表的並不是同一個概念，所指的並不是同一個國家或地區，也就是說，「Cina」與「絲」並無關系。
3. 西方瓷器原本是從中國輸入的。明朝的時候，大批的中國瓷器產品就開始輸往西方世界。波斯人稱中國的瓷器為chini，歐洲商人在波斯購買中國瓷器也同時把一詞帶回了西方。後來，他們又把chini改為china，並且把生產china的中國也一並稱為China。歐美人談到China的時候，往往聯想到China(中國)是china(瓷器)之鄉。
4. 和秦朝有關。《美國遺產大詞典》的解釋是，「China」一詞與公元前三世紀的秦朝有關，「China」是秦國的「秦」的譯音，這一觀點首先是羅馬傳教士衛匡國（Martini,
Martin）在1655年最早提出來的。
5. 在公元前五世紀，東方的絲綢已成為希臘上層社會喜愛的衣料，因此，有學者認為「Cina」一詞由來於絲綢的「絲」，其依據是希臘史學家克特西亞斯（Ctesias）在他的著作中提到了賽里斯人（Serica），由此認為「賽里斯」是由「Cina」轉變而來。持這一觀點的學者是成都理工大學劉興詩教授和上海東華大學教授周啟澄先生。劉興詩教授曾在論文《CHINA釋義新探》中不僅提出， 「China」一詞源於絲綢，還認為：古時西土各國認定的「Cina」所在正是古蜀國，即今天的成都地區。「絲國」並非指今日中國的全境。
J. 瓷器的英文是Ceramics還是Chinese
我是英語專業的，所以我很清楚：
ceramics、porcelain和china三個都可以，但不能用chinese。