美術教育英語
翻譯結果：
Children's art ecation
兒童
children；child更多釋義>>
[網路短語]
兒童 Children;child;Kids
兒童黑話 Pig Latin;PigLatin;Ig-pay Atin-lay
(造型藝術) the fine arts; art: 工藝美術 instrial arts; arts and crafts; 鼓勵發展美術 foster the fine arts; 他提議舉辦美術展覽會。 He proposed an exhibition of works of art. 2.(繪畫) painting美術愛好者 lover of arts; 美術創作 artistic creation; composition; 美術瓷 decorative ceramics; 美術革 fancy leather; 美術工作者 art worker; artist; 美術館 art gallery; gallery; 美術家 artist; 美術明信片 picture postcard; 美術批評 art criticism; 美術片 [電影] cartoons; puppet films; 美術品 artistic procts; 美術設計 artistic designing; artistic design; scenic design; 美術史 history of fine arts; art history; 美術學校 art school; 美術學院 academy of fine arts; 美術影片 animated films; 美術展覽會 art exhibition; 美術字 artistic calligraphy; art lettering
3. 用英語翻譯「學生接受美術教育是很重要的」
it's important to students to accept the art ecation
4. "美術教育系"用英語怎麼寫
The Faculty of Arts Ecation
Dep. Arts & Ecation
5. 美術教育用英語怎麼說
art ecation
6. 美術教室英語怎麼說帶寫中文
美術教室的英語是：art classroom
7. 現在還有美術教育專業嗎研究生考試英語第一英語是英語二。
現在還有美術教育專業嗎？研究生考試英語第一英語是英語二。
Do you still have art ecation major? English first is English second.
8. 求美術教育論文翻譯成英語
Humanities and Fine Arts course is compulsory ecation highly, but it is also training the students ability and ability to cultivate aesthetic qualities of a comprehensive basic course, is the primary and secondary school curriculum an important component is to carry out ideological ecation in primary human primary means of primary and secondary students are responsible to the overall quality of beauty and culture of responsibility. In the process of promoting quality ecation, more and more people realize that art ecation to improve human thinking in an irreplaceable role. This paper to address the status of primary and secondary art ecation and how to train primary and secondary human thinking recommendations.
Key words: Teaching Humanities and Fine Arts thought train
9. 美術培訓中心 的英文怎麼寫
美術培訓中心
Artistic Training Center
10. 求關於美術教育方面的英語文章（最好註明出處）
國際藝術市場包括高級階段（全球主流藝術）和滿足全球主流藝術的某些初級階段（有特殊性，如電影、電視藝術、多媒體藝術、中國傳統藝術、拉丁藝術等等），對於中國藝術市場的經營者、藝術家、畫廊、拍賣公司、收藏機構或個人、最重要的是解藝術市場運作機制，這是能否成功的關鍵，否則一切努力都將付諸東流。
高級階段（全球主流藝術）：
含有大約 100 名藝術家的作品，他們代表主要的展覽、藝術媒體、收藏和最主要的拍賣。在某種程度上，這個群體的組成是由處於基礎階段的人群臨時或重新組成的。 20 多年前，主流藝術只限於繪畫和雕塑，現在攝影、影視的裝飾作品也被認同，處於相同的地位。在市場上，他們占據著一些存在異議高價位的作品，通常有以驚人的速度發展壯大。嘗試市場運作並不是以作品質量為基礎的，還有許多其他因素，這個時期，生活在中國的藝術家沒有一個可以穩步的進入這個市場階段，一小部分生活在國外的中國藝術家已經處於進入高級階段的邊緣。
什麽因素在引導這個市場階段？
它是畫廊經營者、藝術家、上流社會、評論家、以及媒體的關注等的質量、戰略組合，特別是成為網路的一部分引導進入這一階段。一些生活在中國的藝術家處在這個階段的門檻上。
在這個階段的中國藝術，意味著生活在中國的藝術家從事藝術工作需要考慮國際需求，存在不同的特性，過去是一個領域，主要是亞洲之外特殊的收藏家和自發的購買者。今天我們看到進入這個領域的是中國、亞洲的收藏家，他們與精於市場的全球藝術主流的眼光比較接近。
他們參加 99 年威尼斯的展覽會，了解國際藝術市場情況，無可置疑，他們了解這一現象不是暫時的。一些人仔細審視進入這個領域並開始注意收集滿足於他們標準的藝術家 -- 有潛力的進入全球主流藝術領域的藝術家。這對於以後進一步進入這個階段的藝術市場是非常重要的，他們沿著次要的藝術領域，然後進入國際拍賣市場。對國外收藏者來說面臨著這樣一個嚴肅的問題：相似地位的西方藝術家的作品與之相匹配的高價位。
對於中國當代藝術來說，在國際藝術市場沒有成功的更好條件，然而，對於中國當代藝術領域各方面的經營者來說，成功絕對需要更多戰略上的思考。
The positioning of Chinese contemporary artworks in the international art market (outline)
The international art market consists of a top segment (global mainstream art) and several base segments feeding into this global mainstream art (with specific characteristics such as video art, multimedia art, or Chinese art and Latin American art etc.).It is crucial to understand the mechanics of this international art market system for Chinese market players to succeed, be they artists, gallerists, auction houses, collecting institutions or indivials, or authorities facilitating or hindering this endevour.
The top segment (global mainstream art) is made up of the works of a group of around 100 artists. They are continuously represented in the major exhibitions, artmedia, collections and ultimately auctions. The group composition is somewhat fluid and reconstitutes itself with infeed from the base segments. Till 20 years ago restricted to painting and sculpture, photo-,video- and installation works have now reached similar status. They command with a few exceptions the highest prices in the markets, with usually breathtaking rate of increase. The market taste is not driven by quality only, but by a number of factors. At this stage no artist living in China has made a stable entry into this market segment. A small group of Chinese artists living abroad has entered it at the periphery.
What are the factors driving this market segment? It is a mix of quality, strategy chosen by the gallerist and/or artist, fashion, curator- and media attention and in particular being part of one of the networks driving the process. Some artists living in China are at the doorsill to this segment.
Looking at the segment Chinese art, meaning art works made by artists living in China , international demand now takes on a different dimension: In the past it has been a territory mainly for a few specialised collectors and spontaneous buyers from outside Asia . Today we see new entrants such as Chinese collectors, Asian collectors, and in particular the sophisticated collectors of global mainstream art taking a closer look. They have determined that the exposure in an international art context to a broad public as in Venice 99 and subsequent comparable venues is not a temporary phenomenon but here to stay. Some will after careful examination enter the field and start to collect artists that satisfy their criteria – having the potential to enter the global mainstream art segment. They will be very important to take this segment of the art market one step further. They will pave the way for a secondary art market and the subsequent entry of international auction houses. High pricing in comparison to peer works from Western artists of similar ranking is becoming a serious issue for international collectors.
Never have the conditions for success in the international art market for contemporary art from China been better. Yet succeeding will definitely require more strategic thinking from all players in the contemporary Chinese art scene